Deathgift #1 - My life is so dark man

Deathgift #1

Deathgift is an independent comic written by Scott Duckett, art by Headkutter and published by Overdark Comics. I back a lot of comic books from crowd funding websites like Kickstarter and Indiegogo as it is a great way to support independent creators both local and international and because I enjoy Internet shopping that I don't need to actually pay for for up to 30 days. I've picked up some of my favourite comics from crowd funding campaigns such as Carmen and Fly The Colour Fantastica and a few average comics but I'm pretty easy to please (especially with creator owned comics) so I've never really felt annoyed that I spent money until I received my copy of Deathgift.

The cover is actually pretty cool though

Deathgift begins with an introduction from our main character (who is never named) explaining that he is immortal but the luster of living forever wore off hundreds of years ago and a lot of dark things about how life is meaningless. The introduction continues to set the scene explaining that he is in Metatron a city that was built around a maximum security prison after it was taken over by the prisoners. The main character wakes up in an alley, after being shot in the head, and begins running from the police after a shots fired call leading them on a high speed chase in his car, The Commander.

The spread of the car is pretty good which makes me think the rest of the comic was written around it

The art of Deathgift is not bad but is so dark its actually hard to see whats going on so much so that I feel like this was intended to be digital format and read on a screen with a back light. There is actually a panel that has a half deleted text box in it and one thing that I really dislike is a "finished" product that has mistakes like that as it just makes the whole thing look unprofessional. There is a fantastic two page spread in the center of the comic of the car, The Commander, and seems like the entire comic was made around doing this spread of the car.

I hope that half deleted text box didn't have any important dialogue

The only thing we know about the main character is that he hates the corrupt world that he is forced to continue living in yet seems to continue making it worse by committing the very crimes he seems to despise and blows up a bunch of cops, the people that are trying to make the world better.

I'm very forgiving, easily pleased and usually when I'm not a fan I tend to just think "ehh not my cup of tea" but I really don't see anyone except 14 year olds who's parents "just don't get them you know" actually enjoying Deathgift. The introduction at the beginning just seems like it was trying to include as many grotesque words as possible with one of the first sentences referring to the world as a "puss filled scab of despair". For me the whole thing just seems, for lack of a better word, emo. For a comic advertised "A story of an immortal lost soul whose life won't let him go. Packed with dark humor, violence, stunning visuals and gripping stories." I found it lacking in everything except the violence.

I give Deathgift 1 out of 5 THE PAIN...'s

My life is nothing but pain man.

 

In The Local Pocket #10 - Job Dun, Fat Assassin #1

Job Dun, Fat Assassin #1

Job Dun, Fat Assassin is an Australian comic written by Mark Hobby, illustrated by Ben Michael Byrne, colours by Noelle Criminova, letters by Bolt-01. Job Dun is gross, one of the grossest things I've ever read so if you have a weak stomach turn back now and go check out my review of Huck, if not then read on.

Look I'm going to be honest with you I don't entirely understand what is going on in Job Dun. So far as I can tell Job Dun is an assassin/bounty hunter with an implant in his brain called a Spray Maker that lets the user "spray paint reality". This seems to mean that the user will see an glossed over version of the world with everyone being more attractive than they really are, when its online that is. Dun is hired by Lady Octavia to do a retrieval mission and bring back a man named Conos. Conos is now the leader of a strange cult that Job must now infiltrate to retrieve him.

Spray off Vs Spray on

The art of Job Dun is, look, I didn't want to review this comic, its gross. The main reason I didn't want to review this comic is because I didn't want to have to read it multiple times and look at how gross it is.  I've mentioned before that I'm not a huge fan of toilet humour but when done well like in The Pro, a comic I recently reviewed, it can work and work well, Job Dun however looks like the inside of a sewage system by comparison. There are boobs on almost every page, to the point that they randomly show up at any point in the comic. I'm normally all for surprise boobs but they need to serve a purpose. Any panel where Dun is not affected by the "Spray Maker" makes the world look grotesque, think dropping a lollipop behind a couch levels of gross. This is actual not a criticism of the artist Ben Michael's art, he does a wonderful job portraying this grossness. Michael's also does a series called Kranburn which is a fantastic post apocalypse series set in Australia which is just so, so good and I'd suggest going to read that instead.

Annnnnnnnd I'm out

Although I did finish the comic I didn't think much about the characters as I mentally checked out after Dun got splashed in the face with a strippers breast milk. I don't get this kind of humour in the same way shows like Ren and Stimpy never appealed to me, even as an adult but I can see how some people with a slightly twisted sense of humour may like comics like Job Dun.

Oh look sexy nuns, how...... Funny......

As for a rating for Job Dun: Fat Assassin I will leave it with, what I feel is a very fitting, quote from the movie Billy Madison: What you've just said is one of the most insanely idiotic things I have ever heard. At no point in your rambling, incoherent response were you even close to anything considered a rational thought. Everyone in this room is now dumber for having listened to it. I award you no points, and may God have mercy on your soul.

Find out more about Job Dun: Fat Assassin here.

The Horror A4

The Horror A4

The Horror A4 is an independant written and illustrated by Gaz "Gazbot" Gretsky and funded through Kickstarter. The Horror A4 came highly recommended by my friend and local creator, Chris Mcquinlan, who then proceeded to message me less than 24 hours later to see if I had had read it yet. I can now say, yes Chris, yes I have read it and you were right its pretty damn good.

The Horror A4 begins with an enormous monster emerging from underground after being disturbed by a mining operation. This comic doesn't mess around, the second page in a giant rock/mud monster erupts from the earth and begins wrecking havoc and smashing things. Good work comic. The story cuts to three years later where we meet the protagonist Boots, real name Jenna, lamenting the uselessness of the Military Police, as they chase down and capture a young man, questioning if they would really help the people if a demon attacked. Boots meets up with her friends and talks about how she will tell the world all about the wrongs that are done once her stream goes live. Across town BJ, a "millionaire CEO", is desperate to create himself a legacy at any cost but needs to find a way to keep shareholders happy long enough to finish his plans.

The design of The Horror is on the futuristic side with some space age technology holographic projecting phones and robots making the world look futuristic without making it unrecognisable. The trains still look like trains and the streets and markets look like a place you could actually go. Boots and her teenage friends dress in a more gaudy fashion than most of the adults, highlighting the rebellious nature of Boots and her friends. I find the designs for The Horror to be a little busy with so much detail packed into each panel that it can be a difficult to tell exactly what is going on.

I LOVE how the character Boots is written because everyone, absolutely everyone, has known a Boots before and if you didn't know one you were one. Boots is a deeply flawed character, she shows little concern for the young man arrested by the military police in the market place even using the distraction as a chance to steal a chocolate bar but then proceeds to wail to her friends how she saw the military police beat him possibly to death, how she will tell his story and how she is going to change things.  Boots talks about righting the wrongs of the world while stealing when she has more than enough money to pay for things. Boots is self righteous, hypocritical and very very teenage.

Look at all that teenage angst

The Horror combines several different genres with giant monsters, corporate espionage and teen and, so far, it works. I really really hope I'll be able to get my hands on the next issue to see if Boots really follows through with her promise of helping the world, how much carnage the next giant monster attack will do and what the dastardly BJ has in store.

I give The Horror A4 3.5 out of 5 Horrors

Get your copy of The Horror A4 here and find out more about creator Gazbot here.

The Pro - R18+

The Pro is a one shot comic written by Garth Ennis art by Amanda Conner and published by Image Comics. I've written reviews on comics that I've deemed R18+ before but I mean it with The Pro, like really really mean it, if you are under 18 why not check out my review on Bizarro #1? A review about a prostitute gaining super powers and using them to give super powered hand jobs isn't exactly what I'd call a wholesome read.

The Pro begins with our hero giving a blow job, I'm not skipping anything it begins with exactly that on the first page, and then being chased from the car while her client shoots at her after refusing to pay the agreed amount. The Pro (who is never named) then collects her son from the babysitter and returns home lamenting over being "fucked again" by life. The Voyeur Viewer, an omnipotent alien being, grants The Pro super powers (without her knowledge) and alerts The League that a new hero will be joining them. When The Pro wakes up she is shocked with her new abilities but not as shocked as she is to see a team of superheroes floating outside her window who welcome her into The League Of Honour.

The Pro, despite being a foul mouthed, crude, and poorly mannered prostitute, is a pretty likeable character. While she isn't exactly winning mother of the year she takes care of her son and despite her lack of doting attitude clearly loves him, this is clearly a woman who has been dealt a bad hand in life she works as waitress during the day and a prostitute at night just to make ends meet. After gaining her super powers The Pro attempts to fight with The League Of Honour but has trouble adjusting to the rules she must now adhere too. The Pro, depending on how deep you want to read into it, is actually a pretty thought provoking comic being a critique on the super hero genre as a whole, on race representation and female representation in the super hero genre. If you aren't up for analysing The Pro is still really enjoyable as a comedy and you can completely ignore any deeper meaning.

Yes, yes it is

The Pro is both beautifully drawn and incredibly gross with an interesting contrast between The League of Honour and The Pro. The panels that involve the heroes are bright, colourful and sharp like any classic super hero comic while The Pro looks worn and shabby in not only herself but her surroundings. Having everything in The Pro's world looking old and overused is an incredibly effective way of emphasising that her life is difficult and a struggle without the character needing to say a single word about it.

I'm not normally one for toilet humour but even I found The Pro funny and, for a comic about a super powered prostitute, filled with symbolism. If you aren't easily offended or mind some excessive sexual content then I'd strongly recommend The Pro, even if the premise puts you off a bit its still an amazing read.

If public breast feeding bothers you The Pro is going to freak you out

I give The Pro 4 out of 5 Pros

Find out more about The Pro here.

In The Local Pocket #9 - Any Port In Storm

Any Port In Storm #1

Any Port In Storm is written and illustrated by Ben Quinlan and published by Inkling Comics. Making comics is extremely hard work, especially when a creator takes on the task of writing and illustrating the entire thing themselves. Sadly hard work doesn't always translate to an enjoyable read and, although showing effort, Any Port In Storm is an example of this.

Storm City is a dying city, The local businesses are failing and it's people are moving away, Storm City will soon become a ghost town. Tag is desperate to save her family's store and attempts to run tours of the city to try and bring in some business. The trouble began for Storm City when teleporting became illegal, due to the chance that it can horribly disfigure those unfortunate enough to have their molecules pass through those of another teleporter, making it difficult to get supplies and people in or out of the city.

Like a near constant disco

The art of Any Port In Storm has some admirable concepts that if carried out well would make for some interesting visuals, unfortunately I feel that Quinlan has overstretched as an artist, leaving the art falling flat. The art suffers from three main issues, first being texture. There is either too much of it or none leaving some panels looking strangely stained or completely flat. Secondly the camera angles, while using different camera angles can sometimes add to a panel having too many panels with strange camera angles can just make the whole thing look confusing. Lastly the teleporting, comics are a visual medium so when a power or ability such as teleporting is used there needs to be some kind of energy effect to show that something has happened, such as a burst of light or a warped background before the character appears. Any Port In Storm doesn't have any visual indication that characters have teleported, they are just not in one panel and then in the next. For all the reader knows they walked from around the corner, which makes the transitions in what is happening from panel to panel a little unclear. When teleporting is such an important part of a story it really needs to be emphasised more in the art.

One thing I really like about Any Port In Storm is the main character Tag, she is running walking tours of the city to try and bring any sort of income into her family's shop in an attempt to keep them from bankruptcy which would force them to leave Storm City. Why is Tag so desperate to keep her family from leaving Storm City? Simple, because it is her home and she loves it. So often a ridiculous reason that a character wants to avoid moving is shoehorned in like "grandma told me I needed to look after the house before she died" or "I can't move my asthmatic, dying cat because if I unplug their life-support system the shock could kill him". Any Port In Storm gives a very real and relatable motivation for Tag to wanting to stay in Storm City.

Any Port In Storm has the potential to be an interesting comic of corporate espionage and conspiracies but falls down in  a few areas with the art and transitions being it's biggest issues. The frame work is there unfortunately it just doesn't quite hit its mark.

I give Any Port In Storm 2 out of 5 Tag's Tours.

Find out more about Any Port In Storm here.

In The Local Pocket #5 - Black Fish

In The Local Pocket #4 - Black Fish

Black Fish is written and illustrated by Tatiana Davidson and self published. I picked up Black Fish at Supanova where I often purchase many comics by local creators as it is a great way to find comics that are artistic, mini comics, poetry comics and all sorts of comics that are a little less traditional. This was no less the case for Black Fish, with its creepy cover seeming to stare into my soul making it almost impossible to not pick up a copy (and of course get the author to sign it for me).

Black fish begins with a young girl using the pond in her back yard as a quiet escape from chaos and noise of her large family. As the girl enjoys the silence of her own little world by the fish pond she notices something new in the pond, a small, black, slimy, hungry fish. The next time the girl visits the pond she notices that the small black fish has grown immensely but she can't seem to find any of the koi fish. Some time later the girl looks over her dark yard and sees something large, black and slimy creeping towards the house.

Hey little guy, I'm sure you'll stay little and cute and not get large and terrifying

Every panel in Black Fish is, at the very least, unnerving with some being downright terrifying. Its amazing how even something as simple as a fern frond is made to look sinister with simply the use of  light and dark. The design of the Black Fish in all of its stages looks like it is stitched together from creatures that actually exists adding yet another layer of sinister dread to the book.

Black fish is is a refreshingly different kind of horror comic containing absolutely no gore, relying not only on atmosphere but the readers own imagination to make it scarier than most modern horror movies. Black Fish is magnificently illustrated, , superbly written and mercifully brief, proving that sometimes less is more. I briefly met the creator, Tatiana, at Supanova this year and chatted with her for a minute, got her to sign my copy of Black Fish and walked away satisfied as Tatiana seemed like a nice normal person. After reading Black Fish I think if I meet her again I will back away slowly while maintaining eye contact until I feel I am an appropriate distance that I can turn and run because I refuse to believe that someone as nice as Tatiana seemed can come up with something as unnerving as Black Fish.

NOPE

I give Black Fish 4.5 out of 5 little black fish

Find out more about Black Fish here. Black Fish will be included in an upcoming horror anthology so keep an eye on their Facebook page Mr. Splitfoot for more information.

Afterlife With Archie Volume 1

Afterlife With Archie Volume 1

Afterlife With Archie is written by Roberto Aguirre-Sacasa, art by Francesco Francavilla, letters by Jack Morelli and published by Archie Comics. When I think of Archie Comics the first thing that comes to mind isn't usually Zombies, black magic, death, incest, sex and violence but that is exactly what Afterlife with Archie delivers in a spectacularly gory fashion.

The comic begins with Jughead desperately racing his beloved dog, Hot Dog, to Sabrina after Hot Dog was hit by a car. Jughead hopes to use Sabrina's magic to heal Hot Dog but it is too late as he has already died from his injuries. Sabrina, moved by Jughead's grief, uses forbidden magic from the necronomicon to bring Hot Dog back to life. Hot Dog does come back to life but not as the same lovable dog he was before, biting Jughead when he tries to greet him. Like all good zombie stories this bite ends with much more than a simple tetanus injection. The consequences of the Jughead's zombie dog bite becomes shockingly apparent at the big school dance the next evening.

The art of Afterlife With Archie is incredibly different from anything you'd expect from an Archie comic, be it classic Archie or the recently rebooted Archie. Afterlife is reminiscent of a Noir Film with a lot of emphasis on shadows, angled panels toned with blue, red or yellows. Afterlife manages to be extremely violent without showing much violence leaving the most gruesome details to the readers imagination.

The thing that makes Afterlife so different from any other Archie comic (besides the zombies) are the characters. while the characters personalities are mostly intact, Archie being the brave hero, Veronica the spoilt rich girl, Betty the sweet girl next door and Jason and Cheryl still trying to make trouble for the gang, a lot about the characters have been made much darker. Some of these changes include Betty and Veronica, usually good friends in the Archie comics, are now bitter enemies, it heavily implies that twins Jason and Cheryl have an incestuous relationship, friends Ginger and Nancy are hiding a secret homosexual relationship with each other with a few love triangles thrown in for good measure.

What is it with weird twins?

Archie comics have done strange crossovers such as Archie vs Predator, Archie meets the Punisher Archie vs Sharknado but usually keeps its happy go lucky tone, Afterlife throws that sugary sweet tone completely out the window from the first page setting it completely aside from any other Archie comic. Afterlife with Archie will be a hit with anyone who is a fan of post apocalyptic stories or zombie stories but may lose more traditional Archie fans due to its dark tone and reworking of the characters.

I give Afterlife with Archie 4 out of 5 Zombie Jugheads

Find out more about Afterlife with Archie here.

In The Local Pocket #8 - Collateral - Dear John Issue #1

Collateral - Dear John #1 Vacant City

Collateral - Dear John is written by Matt Nicholls and illustrated by Lee Taylor and self published. Everybody loves superheroes and everybody wants to live in a world with superheroes flying through the skies and defeating the bad guys. It sounds great to live in a world with superpowers if you are one of the superheroes saving the day and involved in the action, It sounds a lot less fun if you were just a regular person who's life is constantly being interrupted and endangered by these Superheroes.

Collateral begins with an incredibly violent depiction of a child being gruesomely crushed as they watch a superhero fight a villain above the city. It turns out that this is a PSA commercial warning civilians that if there is a super powered battle around they should flee for their own safety. A young man named Scott shuts off the TV in disgust while his mother, Mary, warns him that paying attention to those PSAs could save his life one day. Mary's husband, John, soon arrives home and walks straight to the bedroom without uttering a single word. Mary goes to check and John admits that once again he is unemployed. John has not lost his job because he is a poor worker, had a disagreement with his boss or because the company is downsizing, John has lost his job because a Super Villain destroyed the building he worked in. This is not the first time John has been unemployed due to the damage and mayhem caused by those with super powers.

Aww is this going to be a superhero co-OH MY GOD!!

Collateral is done entirely in fine black lines and has a sketchy look which is an interesting style although it does make it a little difficult to tell certain characters apart at a glance. Collateral has no colour other than the extremely bright red of the blood in the opening pages but the most eye catching feature is by far the paper. Collateral is not on plain white background but rather the background has a yellow weathered appearance that makes me think of an old dilapidated building. The background is by far the most striking feature of this comic and coupled with the sketchy art gives Collateral an incredibly unique style and makes it a visual delight.

We don't learn much about John, Mary and their three children Scott, James and Timmy but we do learn a lot about their relationships with each other which is what grabs the reader in the first issue. Mary seems like the average wife and mother trying to make the best out of a bad situation doing her best to reassure her husband and sons that everything will be okay despite their hardships. Something that I love about the character of Mary is that she is oddly concerned about her family swearing and constantly tells them off for it. At first I thought this was an odd choice but as I reread the comic it is a great example of how Mary is trying to keep life normal for her family as they have so many worse problems than foul language yet its still a way for her to keep things together. John is a man clearly pushed to the brink and desperate to make ends meet for his family in the face of constant and uncontrollable set backs.

The concept of people dealing with the aftermath of superhero collateral damage is an idea that has been done before but usually from a comedic angle. Collateral - Dear John takes an emotional angle from the first issue and if the tone of the first issue is anything to go by it promises to be an emotional ride.

I give Collateral - Dear John 3 out of 5 crisis moments

Find out more about Collateral - Dear John here and read it online here.

All Star Western Volume 1 Guns And Gotham - Uglier than sin and just as fun

All Star Western Volume 1 contains issues 1-6 written by Jimmy Palmiotti, Justin Gray, art by Moritat, colours by Gabriel Bautista, letters by Rob Leigh, published by DC Comics and is part of the New 52 collection. I don't read a lot of ongoing DC titles and I've never really fallen in love with any of the titles or characters with one exception. There is one DC character that I always love to read, buy any merchandise they are on and will always have a special place in my heart. I'm talking about Jonah Hex, I love reading about that rough, morally ambiguous, gun slinging bounty hunter and his antics, finding him one of the most interesting, enjoyable and appealing characters.

Look at this badass!

All Star Western mainly follows the story of Jonah Hex but also has shorter ongoing stories about characters such as El Diablo and The Barbary Ghost and while I do quite enjoy The Barbary Ghost comics I want to talk about the star of the show Jonah Hex's stories. The story begins in Gotham city in the 1880's with Gotham being a rapidly growing and developing city. Dr. Arkham (yes that Dr. Arkham) has been employed by the police to help solve the increasingly gruesome murders of several local prostitutes. Despite already being unwanted by the local police chief Dr. Arkham decides to bring in more help on the case and brings in the infamous bounty hunter Jonah Hex to help him traverse the increasingly treacherous underworld of Gotham City. Jonah Hex gathers his information in his own typical style and a few broken bones, bribed prostitutes and death threats later Jonah has his information. Of course because this is Gotham, Hex and Dr. Arkham realise that they are not just searching for a single killer but an evil organisation that follow the "crime bible".

I feel like this message may be for Hex

Jonah Hex is deeply damaged both physically and mentally as Dr. Arkham constantly observes and yet this is part of the character's appeal. Hex is not a hero but not a villain, he is firmly somewhere in the grey area between. And although he does the occasional good such as giving a prostitute money to not work while a killer is on the loose and giving a rich boy a harsh lesson about abusing the poor, a kindness he didn't need to give either, Jonah Hex is really only concerned about his next bounty and his next drink. Despite all his flaws Hex is such a well written character that you want him to succeed and follow him on his journey. Dr. Arkham is completely out of place in Hex's world, being a doctor he usually deals with the aftermath of violence rather than being involved himself. Dr. Arkham often seems more of a hindrance than help throughout the comic but he is written well enough that between his narrations and mannerisms as a bumbling fish out of water he isn't a complete annoyance.

The art of All Star Western uses really thick line work and uses a lot of red, orange and brown tones that fits well with the industrial look of developing Gotham and the overall grim tone of the comic. The scarred half of Hex's face is as gruesome and horrifying as always but overall his skin has a weathered look that you would expect to see from someone who has spent most of his life riding around in the harsh sun. Something I noticed is that the artist seems to really enjoy doing the faces and hair of young women as they are fresh faced and rosy cheeked compared to the harsh lined look of the faces of the men. The backgrounds are wonderfully done, usually with large amounts of detail or using some fantastic colours and textures.

Between the old house and the dead bodies this page just has so much detail

I'm not entirely sure why Jonah Hex appeals so much to me perhaps it is because he is not a black and white good or bad kind of character or maybe because its just enjoyable to read something dark and gritty sometimes. Whatever the reason I can't get enough of the scarred bounty hunter and find it is something I often go back and reread it every so often.

I give All Star Western Volume 1 4 out of 5 drinking Jonah Hexs

Find out more about All Star Western here.

Not from the comic but something I found hilarious